Fayerweather Hall, McIntire Department of Art at the University of Virginia

Kluge-Ruhe Aboriginal Art Collection of the University of Virginia

The Fralin Museum of Art at the University of Virginia

Australian Embassy Celebrates Aboriginal Artists from Remote Island of Milingimbi

Henry Skerritt, Curator of Indigenous Arts of Australia at Kluge-Ruhe,  was quoted in The Washington Diplomat in an article about the current exhibition of Indigenous art at the Embassy of Australia in Washington, D.C. The exhibition features works by Raymond Bulambula and Joyce Naliyabu, recent Mellon Indigenous Arts Visiting Fellows at UVA. 

Symposium: Indigenous Perspectives on Monuments

Tuesday, November 14, 2017
5:30pm | Brooks Hall Commons

 

In this symposium, scholars and artists from various fields and interests will discuss their perspectives on monuments and memorials that include, reference, feature or honor Indigenous people. No reservations are needed. Parking is available on the Corner or at Central Grounds Garage.

Speakers:

Karenne Wood, member of Monacan Indian Nation and director of Virginia Indian Programs at the Virginia Foundation for the Humanities. She has worked at the National Museum of the American Indian as a researcher and at the Association on American Indian Affairs as a repatriation specialist.

Julie Gough, Indigenous Tasmanian artist whose work is held in major public and private collections including the National Gallery of Australia. Her work explores the lack of monuments and interpretation to Indigenous Tasmanians who were massacred during invasion. Her art practice raises awareness about these histories and various forms of ‘national amnesia’ in Australia.

Jeffrey Hantman, Professor of Anthropology at UVA. He partnered with Wood (above) to rewrite state signage referencing native Virginians. His recent research engages in the practices of Indigenous and collaborative archaeology, framing new questions of the archaeological record that are rooted in native concepts of power, landscape, history and hierarchy. 

Benaiah Walters, UVA student and Vice President of the Native American Student Union (NASU). After August 11 and 12, NASU students held a purification ceremony at the Jefferson Statue on the Lawn and he will speak from a student perspective about the two statues in Charlottesville featuring Indigenous people.

Moderator:

Kasey Keeler, Native American Studies Postdoctoral Fellow, American Studies Program at UVA. Her research is largely informed by place making, public memory and public history. In particular her work demonstrates the continuous residency of American Indian people in suburbs, disrupting narratives of suburbs as primarily white places that developed from the post-WWII housing boom.

Artist Talk: Julie Gough

Thursday, November 16, 2017
5:30pm | Kluge-Ruhe

 Indigenous Tasmanian artist Julie Gough, whose artwork explores the absence of memorials to the histories of genocide and massacre that occurred on her native land in Tasmania, will explore this topic in Charlottesville when she visits for a residency in October. An installation of her artwork titled Hunting Ground is currently on view at the Kluge-Ruhe Collection.

For the last several years, Charlottesville has been the national hotbed of debate about the relevance of memorials to the past and their role in the future of our community. Julie Gough, a leading Indigenous Australian artist whose work is in major public and private collections in Australia, has been raising awareness about this issue in Tasmania using prints and video installation works.

For Hunting Ground, Gough did extensive research into how Tasmania went from plentiful hunting grounds for Indigenous people to a land where those same people were hunted down when it was invaded and colonized by the British in the 19th century. After researching the massacres that took place, only some of which are known and documented, Gough created her own memorials to those dark events and posted them where they occurred, re-inscribing the land with an almost forgotten history. 

While these events happened more than a hundred years ago in Tasmania, Gough is interested in how, if and why they are remembered, and from whose perspective. As Charlottesville begins to heal from the recent domestic terrorist attack by white nationalists and the ongoing controversy around Confederate statues, this exhibition is particularly relevant to an American audience. In addition to providing an international parallel to recent events, the exhibition and Gough’s residency will provide a perspective from many years following such tragic histories: What purpose do memorials serve? How do we process trauma and move into the future without forgetting? How is memory preserved at the physical sites where events occurred? Who is telling the story and what motivations do they have?

Gough looks at the landscape with an archaeological lens, where histories layer on top of one another, hiding the layers beneath. She is also interested in how histories of violence and oppression toward Native American people in Charlottesville and surrounding areas have been covered by the legacies of slavery, and what can be done to uncover them.

Julie Gough will visit Charlottesville for an artist residency October 26 – November 20. She will give a gallery talk of Hunting Ground on Saturday, November 4 at 10:30 am and present her work in an artist talk on Thursday, November 16 at 5:30 pm, followed by a reception from 6:30 – 8:00 pm. She will guest lecture to various courses at UVA.

Gallery Tour with Julie Gough

Saturday, November 4, 2017
10:30am | Kluge-Ruhe

Meet Indigenous Tasmanian artist Julie Gough, whose artwork explores the absence of memorials to the histories of genocide and massacre that occurred on her native land in Tasmania. Gough will guide guests through her current exhibition at Kluge-Ruhe entitled Hunting Ground.

Julie Gough will visit Charlottesville for an artist residency October 26 – November 20. She will give a gallery talk of Hunting Ground on Saturday, November 4 at 10:30 am and present her work in an artist talk on Thursday, November 16 at 5:30 pm, followed by a reception from 6:30 – 8:00 pm. She will guest lecture to various courses at UVA.

Exhibition Opening: Federico Cuatlacuatl

Friday, October 27, 2017
5-7pm | Ruffin Gallery

Federico Cuatlacuatl - Tiemperos del Antropoceno

About the Exhibition The McIntire Department of Art is pleased to announce "Tiemperos del Antropoceno (Timekeepers of the Anthropocene)", and exhibition in the Ruffin Gallery by incoming UVA Assistant Professor of Art Federico Cuatlacuatl. The multi-media exhibition was produced in collaboration with the First Battalion of Indianapolis, a small community of undocumented immigrants originating in Cholla, Puebla, Mexico, who have established an annual carnival celebration in Indiana that echoes the original carnival celebration in Huejotzingo, Puebla. The exhibition considers issues of Hispanic immigrant diaspora in the U.S., asking whether cultural efforts and gestures transposed have any effect under the current political climate. It questions the nature of relationships between Hispanic immigrant communities and the forces of national and global power. The show will remain on view through December 8.

Opening Reception in Ruffin Gallery on October 27 from 5 to 7pm.  

Gallery Hours are Monday to Friday, 9am - 4:30pm.

Location Ruffin Gallery is located in Ruffin Hall, 179 Culbreth Rd, Charlottesville, VA 22903

Parking is available in the Culbreth Garage.

 

Film Screening: Rumble

Virginia Film Festival
Monday, October 9, 2017
4:30pm | PVCC

Rumble: The Indians Who Rocked The World

Sunday, November 12, 4:30pm

PVCC Dickinson Center

Screened as part of the 2017 Virginia Film Festival.

2017. Canada. 102 min.
Director: Catherine Bainbridge, Alfonso Maiorana Featuring: Robbie Robertson, Buffy Sainte-Marie, Martin Scorsese, Steven Tyler, Iggy Pop

From folk songstress Buffy Sainte-Marie to rock artist Link Wray, whose 1958 song Rumbleinfluenced the likes of Pete Townshend and Jimmy Page, Native American musicians have had an indelible effect on the music industry that often is overlooked. Directors Catherine Bainbridge (Reel Injun) and Alfonso Maiorana bring this contribution to light by profiling important Native American musicians through reenactments, archival footage, and conversations with artists who knew them. Tony Bennett, Iggy Pop, Martin Scorsese, and more discuss the impact Indigenous voices have had on their lives and on music as a whole.

Trailer

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